Lamp Revamp

A while ago I mentioned finding matching lampshades while thrifting for $1.25 each…and in great condition.  A rarity around here!

 I decided they would be perfect candidates to replace the floral shades in EB’s nursery.  I wanted to spruce them up a bit first, though.  And I was itching for a bright color for the lamps themselves.  Here’s a close look at the lamps and shades before. (Click here to see what I did with those flower shades.)

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First I cleaned the lamps well, sanded down some cracks in the old finish, and taped off the parts that didn’t need paint.

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This Zinsser primer is one of my favorites, and I chose Krylon Watermelon for the color.

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As far as the shades go, I had something like this in mind for the inside:

Gold leaf lining!  Of course, lining them in actual gold leaf would cost a fortune.  After seeing Tiffany’s idea to spray paint tin foil, I knew I had to give it a try!  This is what I did: 

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And, voila!

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I ended up gluing a band of thin ribbon around the top and bottom edges to give it a more finished look.

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 I love the wrinkled, papery look the foil gives.  And the gold just glows! For just a few dollars, I think it really elevates the look of the shades. 

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How to Sew a Replacement Slipcover

{note to friends and family…scroll to the bottom for gratuitous Elsie B pics}

Happy Friday to y’all!  As a stay-home mom, the weekends don’t seem too different than the weekdays, but today is particularly exciting because it’s….date night!  We’re going out to eat and to hear a friend’s band.  Should be fun!  Plus, I make an exception to my “hot tea instead of wine” resolution on the weekends.  That’s definitely something to look forward to!

So, recently I found myself making a replacement slipcover, and I thought I’d share the process for anyone else who may be interested in doing the same.  Basically I disassembled the old slipcover to use as a pattern for the new.  This is a great project for someone who has experience sewing simple projects like pillows or table runners, but who wants to move up and try something a little more challenging.   The most important steps are in the planning.  Even though this slipcover is for a tiny little chair, you could certainly apply these principles to any size slipcover.  Here’s a glimpse at the final product.

We were gifted with this cute little hand-me-down toddler chair,

 complete with a  handle and a pocket for books.

It’s a Pottery Barn “My First Anywhere Chair,” and is a soft, lightweight, comfy spot for little bums to rest.

source

It was embroidered with the previous owner’s name, so I thought about creating some sort of patch to cover that, but soon realized I could whip up a whole new slipcover.  I dug through my fabric box, and found a big enough piece for this project, a contrast piece for welting and a stash of extra unfinished welting.   That means $0 spent!  I love this kind of project!

You could use this method to make a replacement slipcover for anything.  We’re just going to use the old slipcover as a pattern.  We will be sacrificing the old slipcover, so be prepared to never use it again.

I started by labeling all of the pieces with a black permanent marker.  Just use whatever terms that will help you remember where the piece goes. 

Then I realized I needed to be even more thorough.  I’m so glad I thought to do this, because it was a crucial step, and is what made this project really easy in the end.  Label each intersection of fabric pieces with a separate number, and mark it on each corner of the intersection.  Start at any intersection, and begin with number 1, then keep marking until each intersection is labeled.  Here is the number 2 intersection.

Here’s the 23 intersection. 

It was helpful that these numbers were in red ink…it stood out later.  There were almost 30 intersections on this chair.  Also mark any button holes or zippers.

Now, take lots of photos of your project from many different angles.  Make sure you can read your markings in the photos.  You may find yourself referencing these later.   

Next you want to use a seam ripper to disassemble the pieces.  Do so carefully, so you don’t accidentally tear the fabric.  I didn’t pay much attention to the welting while I seam-ripped, and it ended up staying attached to a fabric piece.  It would be a good idea to number the welting at the intersections, as well, in case yours comes away from the fabric.

Here are all of my pieces.

Now, iron your old pieces, so they’re completely flat when you use them to trace the shape onto your new fabric.  You can simply arrange your pieces on the new fabric.  You’ll want to pay attention to any stripes or patterns and think about how that will affect the look of the finished slipcover.  My new fabric was a narrow stripe, so I made sure my pieces were arranged so all of the stripes were vertical.
Once the pieces were cut, I used a tiny black marker to transpose the numbers at each corner to the new fabric.  I kept the old piece stacked on the new one until I sewed, just to keep everything very organized and labeled.

The back piece included a pocket and a handle.  I recreated both and sewed it all together.

On Wednesday I shared my quick ‘n easy method for making bias strips for welting.  You could follow that tutorial, or buy pre-made cording, or skip the welting detail altogether.  For those pieces with welting, I sewed a strip of welting to my new piece, just as it was sewn to the old.  I made sure to leave an extra inch on each end, to make sure there would be enough during the reassembly.   See how the bottom edge of that Seat piece below had a strip of welting?

 I just sewed my new welting onto that same edge of the new matching piece. 

The front of the arms had welting, and were quite curved.  To help make that sharp turn, make little cuts along the raw edges.

Once all of the pieces had been cut and any welting or details had been added, I began to match the numbered intersections together.  I started with the middle section.  Here are three pieces sewn together.  You can see that extra welting hanging off the edges below.

Remember to sew right sides together, and just match your numbers up!

Those curves on the arms were tricky to sew to the adjacent pieces, so I pinned them.

 Just keep sewing away until all of your pieces are in place!  I neglected to take any photos of the zipper in this project.  Many slipcovers don’t have zippers, so you most likely won’t need that visual anyway.  I re-used the zipper that was on the old slipcover, which was that seafoam green color.  But, it’s on the bottom and won’t be seen.

Now that the slipcover was finished, I put it on the chair.  I knew I wanted to personalize it for this little peanut below.  She can barely see over the window sill when on her tippy toes.  Isn’t she precious, or is it just my biased opinion? 

  I had these acrylic paints on hand.  They are fine for fabric projects like this, but I wouldn’t use them on apparel.  They are pretty stiff when dry, and could crack if the fabric bends much or is washed often.  But, I knew this would stay fairly flat.

I wanted the letters to be pink, to add a feminine touch.  I didn’t have pink paint, but I had white and red.  Here’s a little color mixing tip for you…always start with the lighter color.  Then add drops of the darker color to get your desired hue.  It’s much easier to slowly go darker than it is to try to go lighter.

I measured the center of the back of the slipcover and used pins as a visual guide.  I started with the middle letter and worked my way out.

Not perfectly centered, but close.  I later went in and added shadows to the letters in a color similar to that of the welting.  The pink seemed a bit out of place, and I thought it needed something to bring it all together.
Here’s the finished product!

Not too shabby for a freebie, huh?  I love that it’s personalized and unique.  I know that Aria loved this chair and used it often, and I hope Elsie will do the same over the next couple of years.

notice the perpetually curled toes

showing off her “how big is elsie?” move

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Our House, Elsie’s Nursery

I’m back with another glimpse into our little home.  One of my favorite things about being pregnant was designing the nursery!  I took these photos just before Elsie was born, so they’re almost a year old now, but I wanted to give you an idea of what it looked like then.  Things are shifting around, as she grows and as her needs change.  Soon I’ll write up a post about that, and what to consider when decorating a nursery, knowing how things will change as the babe grows.

This is what the room looked like before:

The wall color, window treatments, and light fixture above were all as the previous owner had left them.  I had been using it as my craft/sewing/junk room.  This photo was taken after I cleaned out all of my stuff.

We knew we were having a girl, and I wanted to create a unique, eclectic nursery with feminine touches, without using a lot of pink. 

I was inspired to choose a navy blue for the walls by Lauren Liess.  I just loved her son’s nursery, and am truly inspired by all of her design work! 

We owned a dresser to be used as the changing table (it’s the companion to the one in our guest room), and some bookshelves and a desk.  The only furniture we bought was the crib, and the upholstered chair (a $20 thrift find). 

The footstool was passed down to me.  It’s part of a glider set like this.

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I made a slipcover to hide all of that wood.  The pleats in the slipcover allow it to still glide easily. 

The curtain panels are painter’s drop cloths from Lowe’s.  I pleated them at the top and hemmed them to the right length.  It’s definitely the cheapest way to buy neutral fabric, at about $10 a panel.

One of my favorite parts of the room is the gallery wall behind the chair, inspired by the Petersik’s nursery.  This vintage French magazine advert was my starting point for the whole room… a watercolor of blues, yellows and a few touches of pink.

We picked it up at a flea market in Provence a few years ago.  I just loved the colors and whimsy, and each time I see it I’m reminded of our amazing trip.  I had it matted in pale pink to feminize the room a bit.  It’s one of the few pink things in the room.

I made the dog and cat silhouettes after seeing the idea on Prudent Baby.  The cross stitch of dancers on the top right was made by mom  for my childhood bedroom.  The painting of the boy is a study that was done of Frank as a child, for a larger portrait.  The two black and white photos are of Frank and I at about 18 months old.

 It’s difficult to see, but on the bottom right I framed a tiny pale pink baby’s vest that was worn by my mom in the 50s. 

That Brian Andreas hanging to the right of the closet doors was in Frank’s childhood room. 

I found the globe below at World Market.  It’s propped on a small glass tea light holder.  I can tell you now what a great purchase Sophie was!  Elsie still loves her, even after 9 months of play time.   She’s scuffed up and worn down now, but well loved.

On the little bentwood chair hangs a very special quilt.  In the 1980s my grandmother made it for my future children.  I was a child at the time, but she had the foresight to create this heirloom gift.

She passed away long before I even thought about having children.

Mom and I spent a fun afternoon creating the mobile you see hanging over the crib.

It’s simply scrapbook paper circles and buttons hanging from a wire frame we created.

The framed map on the wall below is actually a piece of wrapping paper I got from Paper Source.  It’s a vintage map of Paris, and a great inexpensive piece of art!  We happened to have a frame that fit it perfectly.  Woot woot for happy coincidences!

Vintage childrens’ books were gifted to us by our families.

Now, for the crib bedding.  We went with crisp white sheets, as I love on all our beds.  I whipped up the bumpers and crib skirt myself.

I wanted the skirt to “grow’ with the crib, as Elsie grows and we move the mattress lower.  So, I simply sewed up four individual panels, one for each side of the crib.  I then pinned those to a mattress cover that was exactly the size of the crib.  That cover and the pins sit right below the mattress.  We’ve since lowered the mattress, so I repinned the panels to be the right length for the new mattress height, and it all works really well.

Does that make sense?  I’d be happy to do a tutorial post on this.  Leave me a comment if you’d be interested in that.

On the left side of the crib is a bookshelf, similar the one under the Paris map.  These two bookshelves used to belong to my grandmother.  They’re similar sizes, so I painted them both a crisp glossy white, then lined the backs with polk-a-dot wrapping paper.  It makes them feel like a set, even though they’re not.

Hanging above are more vintage baby clothes that were passed down to me.  I love that these pieces have sentimental value, and as a novice seamstress I can appreciate all of the intricate details (can you see that scalloped hem!?).

Behind the door hangs a cork board I covered in fabric and ribbon.  The white tacks on the blue ribbon are pushpins.

I hope you’ve enjoyed seeing the nursery.  Leave a comment if you have any questions!

Weekend Bloggy Reading

Making Lemonade

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